How might an intimate relationship to sound, frequency, and vibration inform how we participate in shaping collective change? Centering improvisatory experimentation, creative intimacy, process, memory, and Black temporalities, three Bay Area sound artists investigate sonic interaction as an embodied liberation practice for co-creating new realities.

A digital performance series featuring essays, poetry, video essays, and filmed performances.

“If colonization necessitates the arrogant supposition that spaces can be emptied — cleared — then, perhaps, decolonized practice involves engaging with the etheric and energetic material that suggests otherwise.”

Reflections on “But Tell Me What It Feels Like: The Erotic Practice of Liberation” a multi-disciplinary performing arts festival weekend inspired by the legacy of Black lesbian poet and activist Audre Lorde.

Reflections on listening. An exploration of my relationship to home and locality, Black and Indigenous solidarity, and the magic that occurs when we anchor in Indigenous voices and practices.

A conversation about consent, intimacy, somatic memory, and the erotic practice of liberation.

Reclaiming the mundane as an act of restoring my sense of humanity. How the liberatory aesthetics and poetics of quiet work to disrupt tokenism.