Sarah Cargill
Sarah Cargill (she/her/they/them) is a performing artist, cultural worker, writer, and freelance curator whose work articulates and is the alchemical consequence of Black interiority, somatic memory, and queer intimacies. Exploring these relationships through the spectrum of sound and silence is central to their practice.
Sarah is a recipient of the San Francisco Arts Commission's Individual Artist Grant for the 2020-2021 grant cycle and was the inaugural fellow for SOMArts Cultural Center’s Curatorial Residency Program. She has completed fellowships with San Francisco's nonbinary and women of color writing collective The Ruby (2019), San Francisco Bay Area Emerging Arts Professionals (2017), and The Gardarev Center (2016). They have written for publications including SFMOMA’s online publication Open Space and Montclair State University’s Peak Performances Journal.
Sarah was one of San Francisco Queer Cultural Center’s 2015-2016 grantees and has curated interdisciplinary showcases including Drawing Lineage, Building Legacy (2016), an intergenerational QTPoC (queer and trans of color) centered chamber music project featured at the 19th Annual National Queer Arts Festival, and But Tell Me What It Feels Like: The Erotic Practice of Liberation (2018), a 3-day experimental performing arts festival exhibited at SOMArts Cultural Center. She has appeared as a soloist in numerous productions including Queer Rebels (2013), Stories of Queer Diaspora (2014), and SOMArts Cultural Center's The News (2016). In her work as an educator and arts advocate, Sarah has worked with young musicians in the Bay Area and Chicago, Illinois as a teaching artist and has served as a member of the Board of Directors for Bay Area Girls Rock Camp in Oakland, CA (2015-2017). She currently resides on unceded Ramaytush Ohlone land (Yelamu), in her hometown of San Francisco.
Photo Credit: Amadeus J. Regucera
Between breaths, between beats (2020)
SFMOMA | Open Space
San Francisco, CA
Sarah is a recipient of the San Francisco Arts Commission's Individual Artist Grant for the 2020-2021 grant cycle and was the inaugural fellow for SOMArts Cultural Center’s Curatorial Residency Program. She has completed fellowships with San Francisco's nonbinary and women of color writing collective The Ruby (2019), San Francisco Bay Area Emerging Arts Professionals (2017), and The Gardarev Center (2016). They have written for publications including SFMOMA’s online publication Open Space and Montclair State University’s Peak Performances Journal.
Sarah was one of San Francisco Queer Cultural Center’s 2015-2016 grantees and has curated interdisciplinary showcases including Drawing Lineage, Building Legacy (2016), an intergenerational QTPoC (queer and trans of color) centered chamber music project featured at the 19th Annual National Queer Arts Festival, and But Tell Me What It Feels Like: The Erotic Practice of Liberation (2018), a 3-day experimental performing arts festival exhibited at SOMArts Cultural Center. She has appeared as a soloist in numerous productions including Queer Rebels (2013), Stories of Queer Diaspora (2014), and SOMArts Cultural Center's The News (2016). In her work as an educator and arts advocate, Sarah has worked with young musicians in the Bay Area and Chicago, Illinois as a teaching artist and has served as a member of the Board of Directors for Bay Area Girls Rock Camp in Oakland, CA (2015-2017). She currently resides on unceded Ramaytush Ohlone land (Yelamu), in her hometown of San Francisco.
Photo Credit: Amadeus J. Regucera
Between breaths, between beats (2020)
SFMOMA | Open Space
San Francisco, CA